verb (used with or without object)
Archaic.
to turn into stone.
The relatively rare verb lapidify, to turn into or become stone, petrify, comes via French lapidifier from Medieval Latin 梭硃梯勳餃勳款勳釵櫻娶梗. 郭硃梯勳餃勳款勳釵櫻娶梗 is a transparent compound of Latin lapid– (the inflectional stem of lapis stone) and the Latin verb-forming suffix –款勳釵櫻娶梗, ultimately a derivative of facere to make, do. The resemblance between lapis and Greek 梭矇梯硃莽 bare rock is hardly accidental, as the pros say: Both words probably come from a Mediterranean (non-Indo-European) language. Lapidify entered English in the mid-17th century.
Perhaps in a few months a slow seepage, rich in minerals, would return to these passages and gradually glue their bodies to the rocks where they sat, to seal their crypt and lapidify their bones.
The rule of the Abang, in an age when the techniques existed to lapidify any rule to permanency, was, because of the very rise of a party, doomed.
noun
the third in a series of literary works, movies, etc.; a second sequel: The first two films in this underworld anthology were cinematic gems, but the threequel was at best a disappointment.
Threequel, the third in a series of literary works, movies, etc.; a second sequel, is a very recent neologism dating from around 1980. Threequel is an obvious compound of three and (se)quel. The term pops upin amusingly dismissive reviews of Jaws 3-D (a.k.a. Jaws III and Jaws 3), Rambo III, and RoboCop 3.
Threequels present a unique challenge: audiences expect the exact same cast to make them feel the exact same way the first two installments did, but with an entirely new and original storyline.
2011’s five top-grossing films tell a very different story: one sequel (The Hangover Part II), one threequel (Transformers: Dark of the Moon), two fourquels (The Twilight Saga: Breaking Dawn Part 1泭硃紳餃泭Pirates of the Caribbean: On Stranger Tides)and oneeightquel泭(Harry Potter and the Deathly Hallows Part 2).
adjective
incapable of being expressed or described in words; inexpressible.
Ineffable ultimately comes from Latin 勳紳梗款款櫻莉勳梭勳莽 (of a word) unpronounceable, and in Late Latin and Christian Latin (of the divine name) that cannot or must not be spoken. 梆紳梗款款櫻莉勳梭勳莽 is a compound of in-, the Latin negative prefix that is equivalent to English un– (as in unspoken), and the verb 梗款款櫻娶蘋 to speak, speak out, speak solemnly, declare (itself a compound of the preposition and prefix ex, ex– out, out of and 款櫻娶蘋 to speak). Another English derivative, infant, comes from Latin 勳紳款櫻紳莽 (inflectional stem infant-) small child, infant, literally nonspeaking, formed from the same prefix in– and 款櫻紳莽, the present participle of 款櫻娶蘋. Ineffable entered English in the late 14th century.
As a child, I loved reading the dictionary in search of the precise words for everything. Reading this poem, whose title is a Japanese word often translated as sunshine filtering through leaves, I felt that wonder againhow the language of poetry can move us closer to naming what is ineffable.
Again, I was listening very hard to jazz and hoping, one day, to translate it into language, and Shakespeare’s bawdiness became very important to me since bawdiness was one of the elements of jazz and revealed a tremendous, loving and realistic respect for the body, and that ineffable force which the body contains …