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Hardy plays Mark, a minicab driver who has a choric function, singing about his own expertise on the subject of psychopathic homicide.

This choric hostility was in both cases essentially socio-cultural, and not literary.

They also function as a choric background against which the poet can strike his lonely, heroic poses.

But the show's originality lies in the way Cork has helped to shape and reorder verbatim speech to create a piece of choric theatre.

John Cooper Clarke has a great choric cameo with a poem entitled Pity the Plight of Young Fellows.