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There’s a mundanity to the world Trương depicts here, yet also a kind of beguiling vision of what this world holds.

As depicted in Samir Oliveros’ film inspired by this odd moment in television history, the “luckiest man” nickname was hastily brainstormed by the panicking producers backstage, hoping to spin their expensive oversight into TV gold.

Female friendship has become the emotional workhorse of modern drama and comedy, but it’s tough to think of one more vividly depicted than this one.

The long flashback sequence shows some graphic scenes depicting Hindus committing violent crimes against Muslims during the violence.

Disabled people are often depicted on screen as positive and resilient.