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Adjusted for inflation, the industry made the equivalent of £4bn in 2001, when Dido's was the year's biggest album, with sales of 1.9 million.

Abigail Deser‘s hypnotic production of Abby Rosebrock‘s compellingly strange “Dido of Idaho” and artistic director Chris Fields’ acutely sensitive production of Samuel D. Hunter’s “Clarkston” made me wish that other local theaters had Fields’ acumen for defiantly weird playwriting.

Romance goes afoul in Abby Rosebrock’s ‘Dido of Idaho’ at Echo Theater Company as offbeat comedy takes a brutal turn.

“Dido of Idaho,” an offbeat comedy by Abby Rosebrock at the Echo Theater Company, takes a shockingly dark turn.

The play, presented in the round in a characteristically vibrant Echo Theater Company production under the acute direction of Abigail Deser, starts with Nora and Michael in bed listening to an aria in Henry Purcell’s opera “Dido and Aeneas.”