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But with Bing, whom the filmmakers treat as a genuine co-star worthy of close-ups, contemplation and authentic dog behavior, Watts finds another rich vein of emotion to dramatize with delicacy, humor and intelligent vulnerability.

No playwright of the modern era has more compassionately — or accurately — dramatized the human consciousness of time, loss and the gap between hope and reality.

“President Trump masterfully plays to his base’s fears by exaggerating the extent and significance of problems and their effects in dramatized detail,” she said.

This sharply psychological work uses the two-character format to dramatize a dance of fractured identities.

“The Order” presents a dramatized version of those events with an ear toward their contemporary echoes.