51�Թ�

I have no quarrel with Ms. Eglevsky’s “Vivaldi” or Ms. Posin’s “Time 2 Tango” except that they aren’t particularly individual or memorable; each makes its dancers look skilled, without foolishness.

I note, however, that the Eglevsky program says that “À la Françaix” and “Tarantella” are “Courtesy of the Balanchine Trust.”

Balanchine left this in his will to Leda Anchutina, widow of André Eglevsky: both husband and wife had been important dancers of his.