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One was that she did a production of Ntozake Shange’s groundbreaking choreopoem “For Colored Girls Who Have Considered Suicide/When the Rainbow Is Enuf,” which reawakened the pull theater had on her spirit.

The show, written and directed by Ryan Calais Cameron, is a male-centric spin on Ntozake Shange’s 1976 work, “For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf,” in which women of color recount their experiences of racism and gendered violence through performance poetry, music and dance.

A handful of Black writers appear from 1977-2000, starting with Ntozake Shange’s “for colored girls who have considered suicide / when the rainbow is enuf,” before the list broadly diversifies in the 21st century.

By then, he was an editor at Macmillan, where he published a book version of Ntozake Shange’s feminist play “For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf,” which had its premiere in 1976.

It was even worse after the American playwright Ntozake Shange’s “For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf” made it to Broadway in 1976, when Kennedy’s own work was hardly being produced.