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Moreover, SZA challenges music's rigid genre classifications in the classic, late-aughts-inspired pop-punk jam "F2F."

But in "F2F," her spitefulness and self-hatred are almost too relatable you forget her lyrics are so toxic.

So quotable that one fun thing to do during her festival-closing set Sunday night was watching fans sing along with certain key lines — “Now I’m ovulating and I need rough sex,” from “F2F,” was a popular one — while their friends shot chaotic video clips presumably destined for social media.

Is a victory lap the right way to describe a concert consisting of songs as full of irritation and self-doubt as “F2F,” “Blind” and “Ghost in the Machine”? On Twitter after her performance, SZA responded to a fan who’d pointed out that she hadn’t commented on the nominations by explaining that she was feeling overwhelmed and that “it gives me alotta anxiety to think of words.”

“SOS’” title track was ferocious, SZA rapping each line like a boxer circling the ring, while “F2F” shed light on the often-hidden role that Black women have played in alternative rock.