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But, Dargis wrote, Pitt’s “soulful, nuanced performance — which becomes incrementally more externalized and visible, as if McBride were shedding a false face — holds the film together even when it starts to fray.”

The false face had been handsome, yes, but consciously so.

She added that “Pitt’s soulful, nuanced performance — which becomes incrementally more externalized and visible, as if McBride were shedding a false face — holds the film together even when it starts to fray.”

The Post reports that start-ups are selling images of false faces to companies that want to increase diversity in their ads and even to a dating app that wants the pictures for a chatbot.

Pitt’s soulful, nuanced performance — which becomes incrementally more externalized and visible, as if McBride were shedding a false face — holds the film together even when it starts to fray.