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Having gone through the fanfaron of a national welcome, in the shape of cheap receptions and monster meetings—having passed the entire ordeal, without succumbing to flattery, or giving his enemies the slightest cue for ridicule—this singular man had settled down in a modest suburban residence in the western district of London.

Now the fanfaron was of trumpets, drums, guns, and clapping hands, but soon wedding-bells would call the tune.

Scarron, who was nearly contemporary with Corneille, painted this character in Don Gaspard de Padille, the Fanfaron, as he is called, of the comedy Jodelet Duelliste.

Among Frenchmen famous in politics or letters who have “gone out” may be mentioned Armand Carrel, who fell in an encounter with �mile Girardin; Thiers, who thus atoned for a youthful indiscretion; the elder Dumas; Lamartine; Ste Beuve, who to show at once his sangfroid and his sense of humour, fought under an umbrella; Ledru Rollin; Edmond About; Cl�ment Thomas; Veuillot, the representative of the church militant; Rochefort; and Boulanger, the Bonapartist fanfaron, whose discomfiture in a duel with Floquet resulted in a notable loss of popular respect.

Last week in the Prix Georges Brinquant at Auteuil, Fanfaron won once more and put another 2,000-000 francs in his owner's pocket.