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Why all the fisheye shots, arcing camera choreography and such?

Still, we’re here for the music which builds from subtle, classroom-rattling percussion — imagine the sound of pencils clacking on retainers — to a Hype Williams homage filmed in a five-sided cube with a fisheye lens.

The finished film is shot in a saturated color palette, and in parts with a fisheye camera lens.

If anything, technological shifts — there’s discussion of the iPhone-shot “Tangerine,” and of “Leviathan,” in which, according to Cousins, the filmmakers literalized the concept of a fisheye lens by attaching cameras to fish — get short shrift.

Following Bapela’s daily labor, uncovering her past trauma, and exploring her aspirations to be an actor herself, the film uses different lenses, including a fisheye, to reveal the rituals and rules that govern Bapela’s life.