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In October, the Burbank studio’s highly anticipated “Joker: Folie à Deux” was a dud, falling far short of expectations despite a reported budget of at least $190 million before marketing.

The tour will hit only major cities, and at the moment, there are no Los Angeles shows on the docket — perhaps because the “Joker: Folie à Deux” actor is already playing two headliner dates in April at the Coachella Valley Music and Arts Festival in Indio.

Madame Web picked up the award for worst picture, screenplay and actress for its star Dakota Johnson, while Joker: Folie à Deux also collected two awards.

From the suicide-by-head-hitting-table-repeatedly in “Longlegs” to the human-faced xenomorph that emerges in “Alien: Romulus” to Arthur’s killer slicing up his own face at the end of “Joker: Folie à Deux,” this was the year body horror went mainstream.

Two highly anticipated films — the musical “Joker: Folie a Deux” as well as “Furiosa: A Mad Max Saga” — underperformed.