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This pick is a bold one because “the choruses bridge the range between chest and head voice, which is difficult for some singers to do, especially in one breath,” Glass said.

There are also huge note jumps, and the slow melody means you need some control over your breathy head voice.

The note jumps also cross between chest voice and head voice for many singers, which is a challenge for the inexperienced, she added.

It is very good for children to make light, airy, and smooth sounds in their head voice as they find their individual sound.

Miranda spent one-on-one time with Simo in the recording studio, helping her pin down high notes in her head voice and low notes in her chest voice.