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In fact, “Better Man” might work better on the London stage as a jukebox musical than in cinemas.

Today we all walk around with the equivalent of portable jukeboxes in our hands, able to access virtually every song known to man for ourselves and our children.

Just behind the retail space is the office for the Licorice Pizza Records label, a comfortable work area with a jukebox, a couch and a large painting of Nina Simone.

In particular, “Folie à Deux” grossly underestimates the storytelling power of the jukebox musical, which arranges existing music into a new narrative.

Firing up her jukebox karaoke machine, this newly turned 60-year-old raps by way of introduction, “But I ain’t never killed a man that didn’t deserve it.”