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They’re all good — from the wounded combatants who spend half of the movie in so much agony they’re nonverbal to the bit players like Gandolfini who only register for a scene or two of panic.

Even more moving is a nonverbal montage of Matthew arriving at his modest childhood home.

“Originally, there was some dialogue, but on the day of shooting we decided that it was best to keep all the communication nonverbal,” Baker says.

“The heart of the movie is in these very static, still and silent moments, where these two women have nonverbal communication with each other.”

She has nonverbal CP, and we eventually are able to purchase a medi-talker device, and she kind of finds her voice.