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Heti’s detractors could probably put a bottle in the middle of a table and entertain themselves reading lines out of context in suave, poetaster voices.

Key is captured in a heroic pose: enthroned on a big chair with pen in hand, looking every inch the sort of poetaster who would come up with lines like “O’er the ramparts we watched / Were so gallantly streaming.”

And he did have more lives, many; he once listed some of them: “I am a Schoolmaster — a Private Tutor, a Surveyor — a Gardener, a Farmer — a Painter, I mean a House Painter, a Carpenter, a Mason, a Day-Laborer, a Pencil-Maker, a Writer, and sometimes a Poetaster.”

In 2018, can Brancusi still release our inner poetaster?

By Charlotte Brontë: Scenes on the great bridge, November 1829 The silver cup: a tale, October 1829 Blackwoods young mens magazine, August 1829 An interesting passage in the lives of some eminent personages of the present age, June 1830 The poetaster: a drama in two volumes, July 1830 The adventures of Mon.