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In 1925, he moved to New York, where he helped develop a style known as “precisionism” — an idiom that sought to match the impersonal realities of the Machine Age.

These sorts of arguments can be part of a communications strategy called "precisionism," says Hayek.

Her excursions into Precisionism, Social Realism and Modernism were always remarkable.

In a series of paintings from 1931-32 she adds curves — and a radiating, organic ease — to Precisionism’s often brittle, refracting geometries in a group of semiabstract paintings based on a lighthouse.

The show is an overview of precisionism, the modern American movement that fetishized factories, ball bearings, silos and skyscrapers in an attempt to merge American realism with European abstraction.