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My newspaper career began at age 16 as a printer’s devil — cleaning presses, melting Linotype lead — for the weekly Ojai Valley News.

“I definitely learned that working with Printer’s Devil.”

“Backwards into China” was produced by Printer’s Devil Theater, a stalwart of Seattle’s fringe scene in the late ’90s and early 2000s, alongside more venerable institutions Annex Theatre and Empty Space Theatre.

After a post-college sojourn to Russia, where she worked as a journalist, Schreck moved to Seattle and joined Printer’s Devil.

Fagan and Willis recall Printer’s Devil as a scrappy company that could thrive in a pre-tech-boom Seattle where rents were cheap and arts grants were plentiful.