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The first Shakespearean phrase I underlined during this period was “skirmish of wit,” about the raillery between Beatrice and Benedick, which inspired a lifelong expectation that romance must include snark.

French’s evocation of place, a rural way of life and overall creepiness are superb, as is the dialogue, a festival of Irish raillery and repartee.

The roguery and raillery are in place, and he has a pleasing way with a song, but his instincts for clowning undermine his suavity.

I saw their eyes bespeaking confusion at this raillery, sorrow to hear our liberator mocked thus, and anxiety at what His Lordship’s uncertainty might mean.

Some of the raillery, while funny, feels like overkill.