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Koyel Ghosh, who uses "they" and "them" as personal pronouns, is the managing trustee of Sappho for Equality, the first Lesbian-Bisexual-Transmasculine people rights collective in eastern India that started two decades ago.

To read “After Sappho” is to be blissfully adrift in a sea of love that could be contained in a single tear.

If women’s lib is commonly thought to have progressed in successive wavelets over the better part of a century, “After Sappho” wants to rewrite that linear story into a swirl — not waves but eddies.

Single names — “Apollo,” “Venus,” “Sappho,” “Catullus” — evoke entire mythologies, whole bodies of literature.

These poems resurrect an eclectic cast of characters, from Sappho to James Baldwin, to reflect on the poet’s vital yet unanswerable question: “What disaster will I deliver to my daughter?”