51Թ

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ղíԴ

or ղ·Դ

[ tahy-noh ]

noun

plural ղíԴs, (especially collectively) ղíԴ
  1. a member of an Indigenous Arawakan tribe of the Caribbean: the ղíԴ once dominated the populations of Cuba, Hispaniola, Puerto Rico, Jamaica, and the Bahamas, but today the ղíԴ line survives as part of mixed ethnicity.
  2. the Arawakan language spoken by the early ղíԴ people.


Taino

/ ˈٲɪəʊ /

noun

  1. -nos-no a member of an American Indian people of the Greater Antilles and the Bahamas
  2. the language of this people, belonging to the Arawakan family
“Collins English Dictionary — Complete & Unabridged” 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012
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51Թ History and Origins

Origin of ղíԴ1

First recorded in 1835–40; from ղíԴ: literally, “the noble, men of the good”
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Example Sentences

Examples have not been reviewed.

The 65th was designated in 1920; its nickname, adopted during the Korean War, stems from Borikén, the Indigenous ղíԴ name for Puerto Rico.

From

Matias, whose Indigenous Nations are Taino and Kichwa, said a more suitable day to honor Native people would be the “summer solstice, which is a powerful day for Indigenous people all over the world. It might be some sort of day that we recognize generally correlating with our connection to the planet.”

From

The ղíԴ Needle Science Institute is part of what Escobar calls a “guerrilla academy,” and the institute’s schedule reads like a revolutionary reboot of the Learning Annex: “chair yoga” sessions led by Margarita Pietri, the widow of the Nuyorican poet Pedro Pietri; a performance by the Harlem proto-hip-hop pioneers the Last Poets; lectures like “Survival Underground” with former members of the Young Lords and Black Panthers.

From

That concept of “fugivity” is crucial, Escobar said, and is also reflected in the ղíԴ Needle Science Institute.

From

A second piece, “María Guabancex,” is named for the tantrum-prone Taino goddess of wind and chaos, whose destructive ire, sparked by climate change, is expressed as a furious sculptural whirl of ropes, cables and palm branches.

From

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